IN THE PRESS
On her dreamy new single “80’s Kween,” rising pop singer Criibaby is letting her lover know just how much they mean to her. Off of the singer’s upcoming Love Songs For Everyone EP (out Oct. 11), the new track sounds like a classic R&B slow-jam with a modern twist, as Criibaby tells her significant other than being together is like “being lost in a crazy dream.” If you’re looking for a new jam to add to your romantic playlists, look no further.
Garmendia—one of the founding members of Champagne Superchillin’—recorded La China’s eleven tracks in Havana, Cuba, last December.
The Gilded Audio Co-Produced Podcast, Abuse Of Power, Is Featured In An Episode Of My Favorite Murder
Gilded Audio helped produce the fantastic Abuse of Power podcast , hosted by ‘The Staircase’ attorneys Sonya Pfeiffer & David Rudolf. Listen to an interview with them in the most recent episode of My Favorite Murder.
Is there a better line that sums up this year than this? “Everytime I read the news/oh, it’s clear we’re all screwed.” So sings Ramey on “Up to No Good.” It’s just one of the winners on this exhilarating set from the Nashville singer/songwriter. Her voice is as tart as her lyrics: She sings, “He found Jesus in prison/he’s got the t-shirt to prove it” on “Keep Hope Alive.”
The rollicking set recalls everyone from Tammy Wynette to Exene Cervenka and Wanda Jackson. There are no sacred cows in Ramey’s world, including Trump, whom she eviscerates (but never names) on tremolo-laden “King of the Ashes.”
Born in Georgia but raised partially in northeast Alabama, Ramey chronicled the South’s darker corners on her previous album, Snake Handler, nodding to Southern gothic literature along the way (“I like the darkness and the weirdness of being Southern,” she says). That approach remains on Shallow Graves, but there’s also an air of levity on songs like the punk-tinged “Up to No Good” and “Debutante Ball,” in which she unpacks some of the South’s entrenched class issues and privilege by recalling a surreal experience at a high-society event in Montgomery.
In the mood for some ’80s nostalgia? Le Fomo has got you covered with their brightly colored animated new video for “Tiny Anchor.”
““Sugar Home” is an honest and vulnerable song about making mistakes and finding peace and redemption into forgiving ourselves and taking a leap of faith,” Millanta says of the poignant ballad.
“Belly Bounce” duplicates the track’s message, while the video recontextualizes the ensemble clip for the era of quarantine. Released at the beginning of July, the track—along with its encompassing How It Is EP, dropping today—has all the attributes of an on-repeat summer obsession.
Nashville singer-songwriter India Ramey conjures up the apocalyptic dread of the Trump era in “King of the Ashes,” from her upcoming album Shallow Graves. Over ominous minor chords and rumbling baritone guitar, Ramey describes a serpent-tongued wolf in sheep’s clothing who “preys on the fearful and the weak.” But instead of hopelessness, she’s calling for action, to speak up and rise up: “‘Cause hate is gasoline and silence is the matches.”
Popular Music’s cover is even more haunting and bare-bones than the breathtaking original, and Zac’s voice remains as unmistakable as ever.