IN THE PRESS
The inspiration for “My Beautiful Enemy” came from the song Andralis wrote before this title track. The subject of the original song was the same, but he found the tone was “just mean.” This rough draft allowed for a release of built-up toxicity and cleared space in Andralis’ heart for what would come next.
“Lock Me Up,” the single obtained exclusively by Queerty, meditates on feelings of demonization and being the outcast, with a sound that channels the Riot Girrl rock sound of bands like Veruca Salt and the folky introspection of Liz Phair. A beautiful, pensive tune, it’s a marvelous palate cleanser for the overplayed bombardment of radio pop.
This is a fitting video for today since it is Halloween. This video features a vampiric Sam Miller doing things vampires do like drinking blood and playing the piano. Theatrics aside we think this is a top-notch track. It has nice piano melodies with a little bit of country feel against lovelorn lyrics that will instantly hook into the listener.
With Georges Méliès as his muse, Johnson converted his living room into a makeshift movie set for a series of eye-popping magic tricks, recalling the confounding imagery and physical comedy of one of cinema’s godfathers. By some miracle of trick photography, CGI, or simple editing software, Johnson’s video is nearly as playful as his music.
Garage rock singer-songwriter Fletcher C Johnson is back with Are You Feelin’ It, which is out October 14. Fletcher has been debuting songs from the LP weekly on his “Listening to Fletcher C Johnson” podcast. This week, it’s the twangy “Portland” and stories of couch surfing in Portland in the early 200s. You can catch Fletcher at his record release show at Brooklyn’s Union Pool on October 18.
I always wanted my own vinyl, and for us to sign with Kiam Records and be able to do that was a super bucket list goal of mine. There’s nothing like it. People automatically think you’re official if you have your album on vinyl in 2019.
It’s probably about as slamming and hypnotically danceable as a murderous cautionary tale is liable to get.
The music of the Oakland band Bam!Bam! is the best definition of the word “scrappy.” The band are avowed fans of K Records (and have even opened for K honcho Calvin Johnson), and all of that label’s fly-by-the-seat-of-your-pants charm comes across loud and clear throughout Nails.
Powerful and poignant as ever, Good In The Dark, made up of multi-instrumentalist Heather Perry, drummer Carlos J. Zapata, and guitarist Grant Goldsworthy, have been described as disco-punk in the past, so who better for them to permanently align themselves with than the almighty Talking Heads?
Filled with eclectic and compelling arrangements, their songs tell persuasive stories of characters and emotions bound together in a whirring atmosphere of pop and rock creativities. Memorable hooks and arena-sized melodies vie for your attention as the music submerges your senses in a wash of gauzy rhythms and early ‘90s rock movements. The band has released two albums – “Rituals to Make New” and “Perfume Brute” – and have recently shared a one-off single called “Flavor Packets,” which finds the band exploring a more dreamlike rock sound which brings to mind artists like Deerhunter and Grizzly Bear.